Showing posts with label Tristan & Yseult. Show all posts
Showing posts with label Tristan & Yseult. Show all posts

Tuesday, February 3, 2015

"Tristan & Yseult" Rocks Segerstrom Stage

On Friday, January 30, First Nighters and their guests got into the spirit of Kneehigh’s Tristan & Yseult with lots of laughs, a few sincere tears and, at the end, a standing ovation that rocked the Segerstrom Stage.

The enthusiasm didn't end with their applause.  Playgoers had the opportunity to celebrate with the artists at the Cast Party, co-sponsored by The Westin South Coast Plaza at its Plaza Ballroom, which was transformed into the “Club of the Unloved,” subtley belit in red and purple and festooned with crystal clear heart-shaped balloons.

Honorary Producers Sophie and Larry Cripe—among the show’s biggest fans, having seen it in tech rehearsals, during previews and, finally, on First Night—added their praise. Sophie knows whereof she speaks when she says, “At times Tristan & Yseult attains a Wagnerian tragic intensity…at other times, it's a silly dose of audience engaging English ‘Panto’ fun. Throughout, it's modern in tone, not remotely medieval and highly entertaining."

Honorary Producers Steve and Laurie Duncan, who also saw the show in previews, were equally enthusiastic, saying, “We were impressed with the portable set and design, appreciated the audience engagement with the characters and truly enjoyed this love story and plot to the very end!”
ALL of the critics agreed! Here are some links:




Having trouble viewing the slideshow? Try watching it here.

Tuesday, January 27, 2015

What is Love?

Hannah Vassallo and Dominic Marsh in Tristan & Yseult.
Love is a powerful emotion. It can send even the most reasonable person into a state of insanity—especially when a love potion is the cause. In Tristan & Yseult, love is the driving force behind this ancient myth and through it Kneehigh unabashedly explores its many states.

Dominic Marsh and Hannah Vassallo, Kneehigh company actors who portray the title characters, took a few moments during rehearsal to answer a few questions with us. They share their thoughts on love, their favorite moments in the play and what they look forward to during their stay in Costa Mesa:

In one sentence, how would you explain the story of Tristan & Yseult?

Dominic Marsh: Tristan & Yseult takes a hard, honest look at the wonder, the beauty and the ugliness all inspired and informed by the state of love—including the lack of love and the loss of love.

Hannah Vassallo: Tristan & Yseult is a story about love with its many colors and shades.

Dominic Marsh and Hannah Vassallo.
What has your experience been with Kneehigh like?

Marsh: I have worked with Kneehigh on three occasions in the last four years. The company has a fantastically freeing and exciting approach to devising theatre. It’s whole-hearted, risk-taking, sexy, anarchic, ridiculous, childish, profound and fun. What's not to like?

Vassallo: I joined Kneehigh in October last year. I was drawn to the company through their amazing and beautiful ways of storytelling and their use of such broad creativity of all kinds that truly ignite senses and inspire audiences. Working with Kneehigh is inspiring, creative, fulfilling and fun! The best is brought out of us and harvested to create their beautiful productions.

Why do you believe love is so compelling in storytelling?


Marsh: It's like a fire. Everyone is drawn to it. No one understands it. It's full of wonder but dangerous. It’s colorful, but very hot. It's always dancing. And you have to fan the flames or it might burn out. See what happened? I was compelled to answer this with a little story!

Vassallo: Love is something that we all experience in life in its broadness and depth. It is a part of life that fuels us and creates journeys and pathways and through it our own personal stories. No two are ever the same. We are fascinated by other accounts of love and enjoy finding connection and empathy within stories that demonstrate this fundamental human emotion.

How do you feel what people are willing to do for love?

Marsh: Love is beautiful and terrifying—and people will do beautiful and terrifying things to get it.

Vassallo: I feel that like this play, love is vast and full of colors and shapes. We are all looking for love, to be fulfilled and to strive for happiness. People will go to great lengths to achieve it and often don’t realize the strength of what they will do to push boundaries to achieve love in their lives.

What’s a favorite part of performing this production of Tristan & Yseult?

Marsh: I like skipping round the audience launching balloons at them before doing a sand dance and then pretending to be an opera diva hitting the money note... What? It's nice having a breather from Tristan's intensely tragic journey!

Vassallo: It’s really difficult to pick a favorite part of the show. I do love joining in with the band and pretending that I’m as cool as them!

Why do audiences have such a strong response to this production?

Marsh: I think there’s a universal experience when people feel the thrill and the heartbreak, the simplicity and the complexity, and the absence of love; it is a profound and fundamental part of every person's life. This production awakens the recognition of what love has done—and can do—all amidst an intoxicating mix of comedy and tragedy.

You’re in Costa Mesa for five weeks—what is on your “must-do/must-see” list?

Marsh: I've discovered the most wonderful thing in my first week here. I believe it's called sunshine. As a Brit, I intend to explore this phenomenon...

Vassallo: While I’m here I want make the most of having escaped the British winter—a trip to the beach is at the top of the list right now!

See Dominic Marsh and Hannah Vassallo on stage in Kneehigh’s Tristan & Yseult. The show is on the Segerstrom Stage through Feb. 22. Grab your tickets now before they’re gone!

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Tuesday, January 20, 2015

A Bizarre Love Triangle

Hannah Vassallo and Dominic Marsh in Kneehigh's Tristan & Yseult.
Want to Know Even More?

If you just can’t get enough of this legendary love story—here are some further reading and viewing options:
Kneehigh’s own take on itself. Visit the company website.

"If this show doesn't make you fall in love with theatre, there's no potion on Earth that can help you." The Guardian (UK)
Chances are you’ve heard music from Richard Wagner’s opera Tristan and Isolde. Even just the first 12 minutes might ring a bell or two, with its sad, sweeping melody that mixes with the longing of the strings and the foreboding wind section.

If you’re attending a performance of Kneehigh’s adaptation of Tristan & Yseult expecting to see a dusty old opera, you might go home disappointed. The production you will see is the literal definition of “spectacular.”

First, you’ll need to forget what you know about the actual story of Tristan and Yseult. Wait. You don’t know about Tristan and Yseult? Well, pull up a chair.

Mike Shepherd, Hannah Vassallo, Kirsty Woodward and Dominic Marsh.
There are several versions of the Tristan and Yseult legend to choose from; however, the story always starts with an uncle, a nephew and a pretty girl. After defeating an Irish knight, Tristan goes to Ireland to bring back the fair Yseult for his uncle, King Mark, to marry. Along the way, Tristan and Yseult ingest a love potion which causes the pair to fall madly in love, thus making things a tad bit … well … awkward.

In Other Words: Reviewers Love Kneehigh

New York Times
“Tristan & Yseult” is equal parts exaggerated whimsy and overwhelming rue. It presents romantic passion as a force that makes lovers levitate (and I mean literally) and then sends them crashing to the earth.

New York Daily News
The British Kneehigh Theatre company puts its vivid and inventive stamp on a legendary story of star-crossed love.
If this story sounds familiar, it might be because Tristan and Yseult is a precursor to the renowned tale of the Knights of Round Table. Remember The Lady of the Lake with Lancelot and Guinevere? This is a love triangle that is just as juicy as the Arthurian tales of old.

Setting this adaptation of Tristan and Yseult's bizarre love triangle apart from all other incarnations of the story is Kneehigh itself. You'll see for yourself in their performances at SCR. Kneehigh describes themselves as having “built a reputation for creating vigorous and popular theatre for audiences throughout the UK and beyond..” And with their critically acclaimed production of Tristan & Yseult (originally created in 2004), Kneehigh launched itself onto the international stage.

In their words: “This is the original tale of forbidden desires, broken hearts and the agony of choosing one human being over another. Seen through the eyes of the 'Unloved', Tristan & Yseult blends comedy, live music, grand passion and tender truths, in an irresistible night of love.”

The New York Daily News had high praise for this production:
"The visually and emotionally intoxicating “Tristan & Yseult” takes you on a journey, which, as love itself often does, goes from happy hijinks to hapless heartache."
This highly inventive, electrically charged account of love gone wrong has toured internationally, making American stops at major theatres including Berkeley Repertory, the Guthrie Theatre and St. Ann’s Warehouse in New York. Blending acrobatics, live music and unconventional story-telling, Kneehigh’s production is an exhilarating take on a vintage yarn. So, come in, sit down and join us in the Club of the Un-Loved. We guarantee you’ll never look at love (requited or otherwise) the same way again.

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Tuesday, January 13, 2015

Meet the Cast of "Tristan & Yseult"

The cast, with Kristy Woodward center, in Kneehigh's Tristan & Yseult. Photo by Richard Termine.
Hannah Vassallo and Dominic Marsh in Tristan & Yseult.  Photo by Richard Termine.
Kneehigh’s Tristan & Yseult is an imaginative retelling of the Cornish love myth of the same name. Live music, dance, aerial acrobatics and sharp wit come together in this wildly ambitious production. And, with so many diverse elements in the show, it’s only fitting that the cast reflects the same diversity.

Tristan & Yseult teems with talent; its international cast of actors and musicians has resumes that span many different artistic forms. Whether in original works, theatre, dance, television or film, they all flex their creative talents and bring varied experiences to shape Tristan & Yseult. Best of all, each is making his or her SCR debut this month!

Niall Ashdown (Morholt, Brangian) is an actor/writer/performer with an extensive background in improvised theatre and comedy. His stage work includes regular guest appearances with London’s Comedy Store Players, improvising operas with Impropera, and as part of Improbable’s Animo and Lifegame. He has written and performed two solo shows, Hungarian Bird Festival and The Man Who Would Be Sting. On television, Ashdown has been seen in a number of shows, including “Whose Line Is it Anyway?” He has written to the poems from A.E. Housman’s A Shropshire Lad. 



Damon Daunno (Frocin) is an actor musician of New Jersey and a graduate from New York University’s Tisch School of the Arts. He is thrilled to be making his first appearance at South Coast Repertory. His other Kneehigh shows include Brief Encounter and The Wild Bride. He is a multi-instrumentalist and composer and has scored feature length and short films. His original music can be found on iTunes.

Tom Jackson Greaves (Lovespotter, Brute and Animator) was born in Cornwall and trained at Laban and London Contemporary Dance School. His performance credits include extensive touring for Matthew Bourne’s New Adventures including Cinderella, Nutcracker!, the 25th anniversary tour of Early Adventures and most recently the principal role of Carabosse/Caradoc in the worldwide tour of Sleeping Beauty. Greaves also has created his own dance-theatre work, including Seven Deadly Sins and Vanity Fowl. He was a winner of the New Adventures Choreographic Award 2012, and is a member of the dance faculty at the Musical Theatre Academy. 



Róbert Luckay (Lovespotter, Brute and Animator) received his training at the University of Arts in Bratislava, Slovakia. His theatre credits include Aloysius Mogarich in Master and Margarita, The Red Shoes (Kneehigh), The Overcoat (Gecko Theatre), A Matter of Life and Death (NT/Kneehigh), Iachimo in Cymbeline (Royal Shakespeare Company/Kneehigh), Pericles in Pericles and Adam in Man Falling Down (Globe) and Dionysus in The Bacchae (Kneehigh). His film and television credits include Mission Impossible 5, “Foreign John,” “Strike Back” and the radio program “Solo Behind The Iron Curtain.”



Dominic Marsh (Tristan) has numerous theatre credits, including Macheath in Dead Dog in a Suitcase (and other love songs) (Kneehigh), Bassanio in The Merchant of Venice (Bury St. Edmunds), The Actor in The Woman in Black (West End), Lysander in A Midsummer Night’s Dream, Lucentio in The Taming of the Shrew (Regent’s Park Open Air Theatre), Prince Charming in Cinderella (Oxford Playhouse) and Jonathan Harker in Dracula (Derby Playhouse). His film and television credits include Lucky Stiff and “DCI Banks.” In collaboration with Dougal Irvine, Marsh recently wrote the book for The Other School, a new musical commissioned by the National Youth Music Theatre.



Mike Shepherd (King Mark) started Kneehigh in 1980 and has worked almost exclusively for the company ever since. He is an actor, director and teacher and has an ongoing preoccupation with the conditions of creativity. He is currently joint artistic director with Emma Rice and most recently directed Kneehigh’s new version of The Beggar’s Opera, Dead Dog in a Suitcase (and other love songs). His recent shows as an actor include Tristan & Yseult, The Red Shoes, Cymbeline, A Matter of Life and Death, Steptoe and Son and the film, Anna Karenina. His recent work as a director includes Hansel and Gretel and A Very Old Man with Enormous Wings (with Little Angel Theatre). Shepherd portrays a pirate in the forthcoming movie, Pan.



Hannah Vassallo (Yseult) received her training at Rambert School. She has been a principal dancer for Matthew Bourne’s New Adventures and has performed and created numerous roles at Sadlers Wells in London, throughout the UK and internationally. Her theatre credits include Aurora in Sleeping Beauty, Clara in Nutcracker and Kim Boggs in Edward Scissorhands. She also has performed in London’s West End, including the leading role of Baby Houseman in Dirty Dancing. Earlier this year, Vassallo was nominated by the Critics Circle National Dance Awards for Outstanding Female Performance for the role of Aurora in Sleeping Beauty.



Kirsty Woodward (Whitehands) received her training at National Youth Theatre and Kneehigh. She has worked with Kneehigh in Cymbeline, Rapunzel, A Matter of life and Death, Blast, Midnight’s Pumpkin and Steptoe and Son. Her other theatre work includes Stuart, A Life Backwards (Hightide), The Way of the World (Sheffield Crucible), Beauty and The Beast (Told by an Idiot), A Winter’s Tale, Julius Caesar, Hamlet, The Grainstore, American Trade and Romeo & Juliet (Royal Shakespeare Company). 



Stu Barker (Musician) has worked extensively as composer/musical director with Kneehigh Theatre over the last 20 years. His shows include A Matter Of Life And Death and Tristan & Yseult (Royal National Theatre), Brief Encounter (Broadway/West End), Cymbeline (Royal Shakespeare Company), Hansel and Gretel (Bristol Old Vic), The Bacchae and The Wooden Frock (West Yorkshire Playhouse), The Red Shoes (Lyric Hammersmith), The Wild Bride, Rapunzel and Midnight Pumpkin (BAC) and Pandora’s Box (Northern Stage). Recently, Barker has been touring as trombonist with C. W. Stoneking & His Primitive Horn Orchestra.



James Gow (Musician) is a multi-instrumentalist and composer from Kent who earned a BA in music from the School of Oriental and African Studies at the University of London. Outside of theatre, he performs with Cocos Lovers, as well as other Kent- and London-based bands, including the genre-hopping jazz-fusion group Lunch Money. Tristan & Yseult is Gow’s third show with Kneehigh, following tours of Brief Encounter and Dead Dog in a Suitcase (and other Love Songs). Most recently, he appeared as Glowworm in James & the Giant Peach (West Yorkshire Playhouse).



Pat Moran (Musician) has composed original music and lyrics for over a dozen professional theater productions and served as resident composer/lyricist/music director for the San Francisco Mime Troupe from 2007-13. He recently performed as a multi-instrumentalist in the world premiere of An Audience With Meow Meow last year at Berkeley Repertory Theatre. Originally from Boston, he received an MFA performer-composer degree from the California Institute for the Arts and a BFA in philosophy with a concentration in ethics and public policy from Clark University. He has been an artist-in-residence at universities including the University of San Francisco, University of North Carolina at Greensboro and Cal State Fresno.



Justin Lee Radford (Musician) is a Cornish-born composer, multi-instrumentalist, producer and writer. As a child, he was taught music by his father and has since busked and played his way across the lands, enjoying international touring and festival stages. He also composes for film, poetry and installations as a member of the Human Suits Collective. He assists in musical workshops aimed towards empowering local children, and writes and produces music for other artists. He has just finished a UK tour of Kneehigh’s Dead Dog in a Suitcase (and other love songs). 


Lizzy Westcott (Musician) has scored and musical-directed for several shows with the Bristol Old Vic and the Bike Shed Theatre; she is co-director for the Bristol-based company Twisted Theatre. Westcott performs with Eleven Magpies, a quartet featuring original music by Kneehigh’s Ian Ross, and is co-directing Death and Treason, Rhyme and Reason, a song-cycle for adults based on the dark and dirty origins of nursery rhymes. This is her second tour with Kneehigh’s Tristan & Yseult.


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