Words by Peter Shaffer, Music by Mozart, Production by SCR

On May 13, the glorious music of Wolfgang Amadeus Mozart wafted from stage to terrace as theatregoers—their rousing ovation ended—gathered at the Cast Party for Peter Shaffer’s Amadeus, the final production of the season.

To put the play in historical perspective, Amadeus opened the 1983-84 season at South Coast Repertory to rave reviews. This revival, more than three decades later, marks another auspicious occasion—SCR’s 500th production.

At the celebratory party, golden balloons, shaped as 500s, flew above while below, partygoers congratulated the actors—who had shed their wigs and Classical costumes, donned 21st-century outfits and joined the fun.

Everyone agreed that the theatrically splendid Amadeus, with its cast of 14 inimitable players was an impressive choice to end the 2015-16 season.

Honorary Produce Sandy Segerstrom Daniels led the praise, saying: "Amadeus was incredible! The cast performed as though they had been playing these roles for months. I hope to come back and see it again!"



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"Office Hour" Opens to Cheers at South Coast Repertory

If a curtain had fallen on the final scene of Julia Cho’s new play on the Julianne Argyros Stage, the first line of Party Play would be, “World Premiere sets curtain call record at South Coast Repertory.”

But, since there is not a physical curtain on the Argyros Stage, here’s what happened on the April 15, First Night of Office Hour: the lights went down as the play ended and, after a moment to catch collective breaths, First Nighters rose to their feet spontaneously and applause turned to cheers as the cast took bow after bow…after bow.

During the Cast Party on Ela’s Terrace, thoughtful words from Honorary Producers Tim and Marianne Kay said it all. “Office Hour grabbed us and didn’t let go. Julia Cho’s script and Neel Keller’s direction made the play ‘pop’ in a way you can only understand by seeing it. The topic is something that wrenches many hearts. Julia’s play gives us the ability to consider different possibilities. Sandra Oh and Raymond Lee captured the audience.”



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Read the Los Angeles Times Sunday Conversation with Sandra Oh
Read the LA Times’ review of Office Hour

"Future Thinking" Separates Fantasy from Reality

Or does it?

On First Night of Future Thinking, after an enthusiastic standing ovation, Peter and Chiara headed to the dressing room to step out of Comic Con costumes and into Cast Party clothes—as actors Arye Gross and Virginia Vale. Along with fellow cast members Heidi Dippold, Enver Gjokaj and Jud Williford, they joined the party, hosted by Silver Trumpet Restaurant and Bar at the Avenue of the Arts Hotel.

There, touches of fantasy abounded—in the gold linens sparkling in candlelight, inspired by Chiara’s “Odyssey” costume, in the “Red Priestess” signature cocktail and even in the “dragon wings” (fantasy-inspired chicken wings) which were among the scrumptious delicacies offered in elaborate displays by the restaurant in its third consecutive season as Cast Party sponsors.

As for the accolades, they were very real.  Among them, these offered by members of Playwrights Circle, Honorary Producers of Future Thinking …

Tod and Linda White: "We loved Future Thinking!  It confronts the "happiness versus success" dilemma with an effective balance of humor and pathos. An important question is addressed with great writing and great acting.  Everyone involved with Future Thinking should be very proud."

Talya Nevo-Hacohen: “So moving to watch the characters move fluidly between reality and fantasy, from desperation to hope.” Bill Schenker: "A wonderful play using comedy to actually tell a much deeper story: people just want to be accepted for who they are.

Alan Slutzky: "The hotel room scenes with Arye Gross and Virginia Vale were brilliantly funny, sad and poignant. The ending left much to the imagination about what happened next, but I enjoy Eliza’s writing so much I would prefer she write a sequel."



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"Going to a Place where you Already Are": A Heavenly Evening at SCR

At South Coast Repertory on Friday, March 11, there were lots of funny moments, a surprise or two, some serious discussions and a few tears—onstage and off, when playgoers relived what they had just seen: the world premiere of Going to a Place where you Already Are, a touching new play about the here and the hereafter.

Were any beliefs confirmed or minds changed? Maybe. Maybe not. But either way, there was much to talk about on the stroll to The Westin South Coast Plaza, co-host of the Cast Party.

Playgoers gathered in the refurbished Catalina Room, where they honored Playwright Bekah Brunstetter, Director Marc Masterson, and Honorary Producers Damien and Yvonne Jordan and Betty and SL Huang. Post-show tears finally were wiped away in time to greet the cast—Founding Artist Hal Landon Jr. and his stage wife, SCR favorite Linda Gehringer; another SCR favorite, Rebecca Mozo, and her stage boyfriend, Christopher Thornton; and an angel, that is, a stage angel, played by Stephen Ellis.

Sampling “heavenly” food and drink, First Nighters and their guests lingered into the evening to enjoy the camaraderie and conversation. Among the most enthusiastic were the play’s underwriters.

Damien and Yvonne Jordan: "We love how Bekah interwove so many different themes: importance of family, how to treat people daily, whether living or dying, the impact of believing in something bigger than ourselves—with moments of laughter and tears—which is what life delivers to us. Incredible performances from the entire cast and so beautifully directed by our own Marc Masterson—we could not have been more proud and inspired to be involved with this production."

SL and Betty Huang: “This was another memorable experience for us! From the first reading to watching the play on stage was such a thrill. It was such a joy to watch all of the talented and passionate people who worked together, from the playwright and director to the actors and designers and others. The costumes, set design, lighting and more all were wonderful. Most important to us was watching the play SCR's devoted and supportive audiences, all under the same roof. It was so touching and emotional!"



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Party Play: Seeing (and Applauding) "Red"

On January 29, First Night of Red on the Segerstrom Stage, the immediate and rousing standing ovation was led by Individual Honorary Producers Sophie and Larry Cripe and Jean and Tim Weiss.  When the applause died down, First Nighters and their guests made their way to the Cast Party, hosted by Room & Board at its South Coast Village store.



Nibbling hors d’oeuvres as they waited for the artists to arrive, guests took advantage of the opportunity to browse the store, which is now featuring the 2016 collection of American-made furniture and accessories, prior to The New Collection Open House held on Saturday and Sunday. 



On the central stairway, young painters, from the mural painting and design classes in Santa Ana College’s Fine and Performing Arts Division, created a painting in tribute to Rothko. As guests admired the work, Professor Darren Hostetter explained that the students had spent the past week painting in the style of the great abstract impressionist—arranged by Room & Board, just for this occasion.

Midway through the party, the Rothko painting was peeled back to reveal another work of art, the students’ painting of Mark Harelik and Paul David Story, who portrayed Rothko and his assistant, Ken.

The party took on an extra jubilance, as guests surrounded the actors and their director, SCR Founding Artistic Director David Emmes, to offer words of praise, led by the Cripes, who said that the eloquent script, masterful directing and dynamic acting captured the tension between an artist and his work to “create a beautiful shade of Red.”

Rothko—and the art scene in general—was what impressed Tim Weiss.  “It seems to me that Rothko was looking for relevance in an ever-changing world. The fact that Rothko's work ultimately became amazingly important and popular seems to have a certain irony, but a good reminder that you just never know what impact, small or large, you have on the world… Red serves as a great reminder that change is important and good.”



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“Madwoman”—A New Role for Sandra Tsing Loh

On Friday, Jan. 8, 2016, when The Madwoman in the Volvo had its world premiere at South Coast Repertory, Sandra Tsing Loh added “playwright” to her credits which already include NPR commentator, adjunct professor (at the University of California, Irvine), stand-up comic, performance artist and bestselling author.

The First Night audience was with Loh all the way along her bumper car ride through midlife “madness” and all it entails. So were her two sidekicks (who popped up in many guises, both male and female), Caroline Aaron and Shannon Holt.

After the show, the three women—plus an important fourth, director Lisa Peterson—were the stars of the Cast Party, co-sponsored by Seasons 52 at its South Coast Plaza restaurant. The play’s desert setting (minus the Burning Man) was duplicated in the decorations that included delicate touches of sand and succulents arranged throughout the restaurant.

Along with scrumptious hors d’oeuvres, guests were treated to the restaurant's signature “mini indulgence” desserts. Enjoying the food, drink and atmosphere—and leading the cheers for Sandra and the other Madwoman artists—were Individual Honorary Producers Steve and Laurie Duncan.

“We were so impressed at the ability of Sandra and her costars to take her very personal story, and share it with us in a warm, entertaining and funny manner,” said Steve. “The show generated a wide range of emotions that both men and women can relate to and appreciate!"



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Opening Night Audience Cheers Reprise of Beth Henley’s "Abundance"

At South Coast Repertory on Friday, Oct. 23, playwright Beth Henley was in the audience for the revival of her western drama, Abundance. When she was introduced from the stage, the clapping turned to cheers that finally brought Henley to her feet to acknowledge the welcome for her and for the fiercely funny play that had its world premiere on the same stage 26 years ago.

After the show, Henley and Founding Artistic Director Martin Benson, who directed Abundance, joined theatregoers at the Cast Party, co-hosted by The Center Club.

“I’ve always loved this play and wanted to do it,” Benson said. Then, with a nod to the playwright, he added that directing Abundance was “every bit as delightful as I expected.”

Modern bluegrass music wafted through the autumn flower-filled room as First Nighters and their guests sampled all-American delicacies, including fried chicken and biscuits, and—prepared with a nod to the play—cornbread, lemon pound cake and pumpkin pie bites.

But the conversation centered on Abundance, with past SCR trustees chiming in.

“It was filled with twists and turns—just like life,” said Betty Huang.

“I really liked it, and the acting was incredible,” added Wylie Aitken.

Carl Neisser was impressed with “the juxtaposition of nature’s players.” His remark drew chuckles from his friends, but they all agreed that the characters were well defined and portrayed superbly.

Barbara Roberts summed it up. “A wonderful play, and leave it to Martin—he always comes through with a great production.”



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"Vietgone" Opens to Laughter, Tears and Praise

At South Coast Repertory on Friday, Oct. 9, murmurs of surprise were followed by stunned silence, followed by peals of laughter, a few tears and then more laughter—and at the end, a standing ovation. All the emotions a playwright hopes to elicit from an audience were just what Qui Nguyen achieved with Vietgone, his new play that officially opened the season on SCR’s Julianne Argyros Stage.

As theatregoers gathered at the Cast Party, co-hosted by AnQi, there were words of praise for the director, actors and artisans. All were well deserved, it was agreed. But the playwright's new work was what everyone talked about.

And the superlatives flew, led by Honorary Producers Marci Maietta Weinberg and William Weinberg, who have been associated with Vietgone since they first saw it in a staged reading at SCR's Pacific Playwrights Festival.

(Emeritus Trustee and First Nighter Olivia Johnson guessed right when she said, "I bet they feel like proud parents.")

"When Marci and I saw the play at PPF, the minute the lights went down, it was like an electric shock," William said. "We knew it was going to be a hit—and tonight it is."

Guests lingered into the night, sampling Asian fusion delicacies in the restaurant’s captivating red setting.



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SCR’s 52nd Season Opens With Music and Mayhem

At South Coast Repertory on Friday, Sept. 18, there was pandemonium all around, with food flying, pants dropping, bosoms heaving and identities switching. The occasion was First Night of what has been called “the funniest play on the planet”—One Man, Two Guvnors.

As the skiffle band’s (known as The Craze) sounded it's last note, the Cast Party began, taking its theme (and its food, clothes and hairdos) from the Swingin’ Sixties in Brighton, England. To the beat of the British Invasion (early Beatles), with Union Jacks waving above, guests sipped cocktails and nibbled very “Brit” hors d’oeuvres, including bangers and mash, fish and chips and English tea biscuits.

All the while, pausing only to get their pictures snapped in the photo booth with fun 1960s props, playgoers couldn’t stop talking—and giggling—about the fractured farce they had just witnessed.

Honorary Producers Joan and Andy Fimiano found the show to be “unexpected fun, exciting talent and the skiffle band entertained from beginning to end. We had so much fun and it kept us energized all night.”

Mike Lewis, Regional Manager, Southern California Region of Corporate Honorary Producer US Bank agreed, saying "The play was a non-stop roller coaster of laughs. The main character was an amazingly talented and physical comedian!"



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First Nighters Sail Away With "Peter and the Starcatcher"

On Friday, May 15, First Nighters and their guests went on an imaginary voyage. Joining a boy named Boy, they sailed the Seven Seas along with crafty villains, dancing mermaids, fighting prawns and … well, you name it.  The occasion was First Night of Peter and the Starcatcher, the final play of SCR’s 2014-15 Season, and what a night it was!



As Boy flew away (to began life anew as Peter Pan) the audience stood and cheered, the rain stopped and the party began—a tribute to the director, designers, actors and musicians who brought the fantastical play to life.



Ela’s Terrace gleamed with sky blue lights and shimmering sea blue linens amidst a nautical scene. The more adventurous were sighted wearing stick-on “staches” and sipping “Set Sail,” the evening’s signature cocktail (vodka, with cranberry and orange juices). 



Everyone enjoyed sampling fare from Sally Ann Catering and went back for seconds to the cart hosted by Mangiamo Gelato Café.



But the conversation was all about Peter and the Starcatcher, made possible in part by a large and enthusiastic support group that included four individual honorary producers, two associate corporate producers and a media partner.

And what did they have to say about the show?

• Wylie Aitken, Honorary Producer with his wife, Bette: “Mesmerizing! Wonderful! Incredible directing and an extremely talented cast, working with a brilliant script. The whole package!”
• Alan Slutzky, Honorary Producer with his wife, Olivia: “The story is fantastic; fast and funny. The cast looked like they were genuinely having fun up there. Also loved how imaginative the production was; it really allowed the crowd to go along for the ride. Can't wait to bring the kids!”
• Rick Smetanka, representing Corporate Associate Producer Haskell & White LLP: “This was a great way to end a great season. I thought the script was very clever, and I loved how the production left so much to our own imaginations.”
• Joan Kaloustian, representing Corporate Associate Producer MUFG Union Bank: “… A charming and beautifully produced night at the theatre.”
• Mary Marcus, representing Media Partner KPCC:  “Superfun.”

Critics agree! LA Splash magazine called the production “Brilliant!” Read the full review.







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"Mr. Wolf" Dramatically Closes the Season on the Julianne Argyros Stage

After the applause died down on April 17, First Night of Mr. Wolf, everyone walked quietly out to Ela's Terrace, sharing thoughts about the moving psychological drama by Rajiv Joseph.

Carl Neisser, SCR emeritus trustee and member of the Playwrights Circle (the group of underwriters who helped produce the world premiere), summed up his feelings. "When the first act of this marvelous drama was ending, you could hear a pin drop, because we were all on our chair's edge. Mr. Wolf was one of the best plays in the 51 years I have attended SCR."

During the evening, First Nighters and their guests gathered at tables draped with white linen to sup late night fare by Crème de la Crème. White lights, wrapped around trees and twinkling overhead, created an atmosphere reminiscent of the play's celestial sphere. Soon, the actors and other artists joined the party to accept the playgoers' heartfelt praise, which was echoed through the weekend by reviewers.

"Tears at the fabric of deep emotions—and of the universe." — OC Register

"Joseph's script...possesses a multilayered dimensionality which matches the brilliance of the actors." — LA Splash


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"Of Good Stock": A Compelling Family Drama Touches Hearts of Playgoers

On Friday, April 3, Of Good Stock elicited from the audience lots of laughter, a few achingly felt tears—and, in the end, a boisterous standing ovation.

Helping salute the playwright and artists in grand fashion was The Silver Trumpet Restaurant and Bar at the Avenue of the Arts Wyndham Hotel. As the management and staff have done so beautifully in the past, they threw a theme party that both echoed the play’s Cape Cod setting and satisfied the appetites of First Nighters.

Among the treats, lobster rolls, New England clam chowder and Boston cream pie. And the signature drink? A Stockton Smash, made, of course, with good scotch, which the play’s three Stockton sisters (and their significant others) would have appreciated.

The play “buzz” throughout the restaurant included these overheard phrases: “Love, love loved it!” … “I’m still laughing—and crying!” … “One of the best new plays I’ve ever seen!”




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A Lovely Play … And Sushi, at First Night of "tokyo fish story"

On Friday, March 13, First Nighters and their guests applauded the world premiere of Kimber Lee’s heart-felt play about generation and gender gaps in the changing world of a master chef. After marveling over the production—and the scenes of sushi preparation—playgoers strolled over to Scott’s Restaurant & Bar. There, they sampled scrumptious sushi selections, hand-rolled upon request.

Among the playgoers were the two couples whose generosity helped make tokyo fish story possible, Bill and Carolyn Klein and Samuel and Tammy Tang. According to the Tangs, “We found tokyo fish story to be a moving story of reconciliation. Nobu’s character was fascinating, and our perception of him changed during the course of the play. He brought out many eye-opening truths, but his wisdom came in such an unexpected package of youth and hip-hop colloquial poetry!”

Admiring the candle-lit setting as they sampled the evening’s signature drink (Cherry Blossomtini), everyone agreed with the underwriters. The next day, StageSceneLA gave the play its sought-after “wow!” rating, calling it “captivating, thought-provoking theater.”



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"Tristan & Yseult" Rocks Segerstrom Stage

On Friday, January 30, First Nighters and their guests got into the spirit of Kneehigh’s Tristan & Yseult with lots of laughs, a few sincere tears and, at the end, a standing ovation that rocked the Segerstrom Stage.

The enthusiasm didn't end with their applause.  Playgoers had the opportunity to celebrate with the artists at the Cast Party, co-sponsored by The Westin South Coast Plaza at its Plaza Ballroom, which was transformed into the “Club of the Unloved,” subtley belit in red and purple and festooned with crystal clear heart-shaped balloons.

Honorary Producers Sophie and Larry Cripe—among the show’s biggest fans, having seen it in tech rehearsals, during previews and, finally, on First Night—added their praise. Sophie knows whereof she speaks when she says, “At times Tristan & Yseult attains a Wagnerian tragic intensity…at other times, it's a silly dose of audience engaging English ‘Panto’ fun. Throughout, it's modern in tone, not remotely medieval and highly entertaining."

Honorary Producers Steve and Laurie Duncan, who also saw the show in previews, were equally enthusiastic, saying, “We were impressed with the portable set and design, appreciated the audience engagement with the characters and truly enjoyed this love story and plot to the very end!”
ALL of the critics agreed! Here are some links:

• "A Valentine's Day present for theatergoers...a colorful and richly inventive stage fable where myth and music seductively entwine." —Los Angeles Times
• "A work of undeniable brilliance." —Orange County Register
• "Magical, imaginative, supremely theatrical." —StageSceneLA

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First Night Audience Deeply Moved by "The Whipping Man"

On Friday, January 9th, First Nighters and their guests gave The Whipping Man a rousing—and sincerely felt—standing ovation.

But the enthusiasm didn’t end with their applause. Playgoers had the opportunity to talk about the gripping drama with its artists (including Director Martin Benson and actors Charlie Robinson, Adam Haas Hunter and Jarrod M. Smith) during the Cast Party, co-hosted by Antonello Ristorante.

The Honorary Producers (Barbara Roberts & Brooke Roberts-Webb and Mary Beth Adderley) weren’t able to attend First Night but will have the opportunity to see the play and congratulate the artists soon. Until then, First Night conversation was glowing, as were the reviews which followed.

• “A powerhouse … anchored by two crucial ingredients—compassion and … faith.”—OC Register
• “Exceptionally riveting drama … Richly structured, depth-layered performances.”—Huntington Beach Independent
• “Multi-dimensional story…brought to life in incredibly dynamic ways.”— Splash

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Conversation Abounds on First Night of "Zealot"

There was a lot to talk about on October 24, after First Night of Zealot, as playgoers gathered for the Cast Party, co-hosted by The Center Club.  The conversation revolved around the main topics of power and gender, as seen through the eyes of playwright Theresa Rebeck in her world premiere set in the turbulent Middle East.

Among those expressing their enthusiasm for the production were Honorary Producers Yvonne and Damien Jordan, who said, "To see Theresa Rebeck's compelling play come to life under the masterful direction of our own, Marc Masterson, with an outstanding cast and an amazing set, we could not be more thrilled with the outcome. Thanks to everyone involved with this production!"

Paul Hodgins, in his OC Register review, concurred.  Among his accolades: “Crackles with a potent mix of humor, raw emotion and conflicting ultimatums. Uncannily timely!”



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First Night of "Venus in Fur" Sizzles ... Onstage and Off

On Friday, October 10, all the First Nighters—and their guests—gave Venus in Fur a rousing (and, standing!) ovation before heading out to Ela’s Terrace for a party that captured the play’s mood—sexy, mysterious, and a just a little bit kinky.

First Nighters were invited to relax in the Argyos lobby, transformed into a sensuous lounge with black furniture and lusterous red pillows.  Tons of red roses—some with black feather “ticklers”—abounded, along with touches of black vinyl linen, black sheer table cloths over red satin linen and, here and there, a pair of handcuffs or a whip!

It was all in good fun, and served as backdrop for the director and actors, who bathed in praise, led by Honorary Producers Geoff and Valerie Fearns.  “Venus in Fur was simply terrific theater! Casey did an excellent job directing the play, and the superb performances by Jaimi and Graham made it exceptional.”



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"The Tempest" Bewitches First Nighters

A transformative production of Shakespeare’s The Tempest brought gasps of delight and sighs of wonder from the First Night audience on September 5. Adapted and directed by Aaron Posner and Teller, the production was filled with magic while remaining true to the text—a rare combination.

Paul Hodgins of the Orange County Register considered what Shakespeare himself might have thought: “I have a hunch he would have approved of this dazzling Tempest and probably gasped along with the rest of us.”

The Honorary Producers agreed.

According to Joan and Andy Fimiano (Honorary Producers with Jean and Tim Weiss), “We and our guests were blown away by the magic, the music and the overall production. We followed The Tempest through rehearsals to opening night, and it was very evident that the cast and the entire production team had great chemistry … Our guests have decided to go back for another night and bring their parents!"

The accolades were whispered during the show, enthusiastically discussed at intermission and shouted out during the standing ovation. After the applause ended, everyone gathered on Ela’s Terrace for the Cast Party—with its tent show/carnival atmosphere reminiscent of the play’s setting—and tried to recognize the amazing cast members, now transformed back to their normal selves.



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50th Season Comes to a Dramatic Close with Dominique Serrand's Stunning "Tartuffe"

Dominique Serrand knows his Molière, having been blessed with a grandmother who took him to the great French satirist’s plays from the time he was a child.  As an adult—and a director—Serrand has been lauded for his stagings of Tartuffe.  On May 16, First Night of SCR’s production, playgoers were convinced that this is the Tartuffe that tops them all.

“I thought the play was magnificent in all ways,” said Tim Weiss, Honorary Producer with his wife, Jean.  “The acting, the directing, the music, the set—all combined to make the performance one of the best I have enjoyed. ”

Honorary Producers Bette and Wylie Aitken, agreed.  “Dominque and the entire creative team at SCR have hit the ultimate grand slam of live theatre. A truly magical experience,” said Bette.

Strolling on Ela’s Terrace after the show, greeting cast members and designers and sipping “Earthly Desires” (SCR’s version of a French cosmopolitan) everyone agreed that this Tartuffe was a grand ending to the monumental 50th Season.



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Nostalgic Party Follows "Five Mile Lake"

Five Mile Lake, a world premiere by Rachel Bonds, was greeted warmly on First Night and generated nostalgic conversation after the show.  Its universal theme about those who stay and those who leave (their hometowns) had playgoers reminiscing over what those decisions meant to their lives.

Leading the discussion were members of the Playwrights Circle, who underwrote the show.  Also joining in, as they accepted congratulations, were the playwright herself and director Daniella Topol, as well as the actors, including the two brothers, Jamie who stayed (played by Nate Mooney), and Rufus who moved away (played by Corey Brill).

Everyone agreed that the play was not only a conversation starter but an important addition to the theatrical season.  There was further agreement that the party—hosted by The Center Club—was the perfect ending to a perfect evening.



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